Future of Montserrat Essay Example for Free

Future of Montserrat Essay The island of Montserrat is situated upon an underwater volcano created by a destructive plate boundary, with the volcanos peak protruding from the south side of the island by the name of Chances Peak in an area entitled Soufriere Hills (in the Caribbean). For 350 years the volcano had remained dormant; however a few weeks ago, Chances Peak became active again and began to emit dust and ash – warning signs that an eruption was almost imminent. On July 20th 1995 (yesterday) the anticipated eruption occurred, producing numerous quandaries for the surviving residents of Montserrat. Montserratians will experience the social impacts of the eruption; these may be the most direct of all the predicaments they encounter and therefore the most challenging to face. Since the volcanos on the island are perceived as unpredictable, the inhabitants are fearful of another eruption. Though they are presently being transferred to a temporary safe region, it is unknown whether a subsequent eruption would be more severe than the first and raise the figures for the injured or killed (19) unnecessarily. Hence the many who have left the island to reside (maybe permanently) in neighbouring islands, the UK or the USA, however this only applies to the populace that possess sufficient funds to do so. The safe regions are reportedly extremely crowded; consequently, with the low sanitation levels, the spread of disease will accelerate. Also, farmers are unable to farm due to constricted land and the devastating environmental impacts of the volcano. If the more wealthy (we can assume the more educated) no longer choose to reside in the island, a ‘brain drain’ will transpire, leaving farmers and communities with small businesses that rely on tourism on Montserrat, though if eruptions cease and the volcano becomes dormant again, life for the farmers could improve as over time the soil of the area would be very fertile. As a result of the ‘brain drain’ there would be an absence of teachers; therefore the children on Montserrat would not be able to learn for a period of time. Moreover, a deficiency of doctors and hospital personnel would leave many people in need of medical help unattended to. Furthermore, persons already residing in the north of the island would have to compromise with the new displaced people; this may cause some feuds over pace etc†¦ The GDP and GNP of Montserrat are predicted to face dramatic cutbacks due simply to the loss of people on the island, and the lack of income from farmers who do not have access to land they can farm on, or businesses that have been destroyed – which is common as many companies were positioned in Plymouth – a city that was completely covered by ash and soon after finished off by deadly pyroclastic flows. If the GDP and GNP do fall, citizens who have decided to stay will be significantly poorer, and therefore may not be able to pay taxes. In addition, a vast sum would have to be paid in damages to property and the building of temporary displaced peoples camps. Due to ash clouds, airports would be closed down, and airlines would have to pay massive amounts in lost revenues. Conversely, industries for other forms of transport (such as shipping companies) would benefit, as passengers search for alternatives to flying. The frequency of imports and exports would not decrease massively as a mere 1% of trade in the UK occurs on flights. Also, (elaborating on the point of aid given by other countries above) since the Montserrat was included in the Federal Colony of British Leeward Islands, the UK may offer some financial support to help improve the islands economy if the damage to it is serious enough. Additionally, the volcano has had colossal impacts on the environment (both positive and negative). Firstly, the ash has suffocated many of the flora and fauna, furthermore, the pyroclastic flow and lahars have killed all life (excluding human) within a 2km radius. Carbon dioxide emitted from the volcano is predicted by scientists to contribute to the greenhouse effect, sulphur dioxide expected to cause environmental issues as sulphur in the stratosphere is the main cause of acid rain. Nonetheless, as a result of two thirds of the islands population predicted to leave the island) the flora and fauna may flourish as there will be less human activity and settlements, leaving nature to itself without interference from machines, factories, and other forms of pollution. The land and soil affected by the volcano will also become fertile, which will, in turn, enhance the growth of plants and trees after an amount of time, and allow them to regrow. The slopes of Chances peak after the eruption are reportedly steeper than before, which will promote growth of delicate, and rare plants can grow with the protection of the slope. The volcano is also expected to alter the weather around Montserrat, causing rain, thunder and lighting. Sea temperatures have reportedly risen, killing some species that rely on specific living conditions, also silting in rivers or lakes has forced boats to stop navigating them as the depth is insufficient. On political terms, and elaborating on the point made above concerning tax and its correspondence with the lack of people on the island, the amount of tax received by the government would decrease too, resulting in a government prone to corruption. Moreover, the government may not be considered fit to run the country by its people, and may be voted out. The government of Montserrat may be forced to relinquish their independency, and amalgamate with another country to become part of their nation (a plausible example would be Montserrat re-joining Britain). On the topic of short term needs, a few that exist are food and drink, and temporary residency areas. Since the eruption would have most likely demolished many of the populace’s properties, and belongings, they will need an alternative place to stay such as the safe zone which has been arranged in the north of the island and is one third of the islands size, compressing hundreds into a tiny space. The government would also be burdened with the task of providing sufficient food and drink for the residents as they would have no means of income, or a market area to buy their own. Medical aid has also become necessary, however not as much as expected as (thankfully) most who occupied the most affected areas had been evacuated before the eruption. Long term necessities will help sustain lives devoid of poverty and hunger for the people of Montserrat. An example of a need which will help the populace in the ‘long run’ is loans to restart businesses and companies citizens had lost in the pyroclastic flows or ash. Furthermore, the government or a country aiding Montserrat could assist by building an early detection system or research facility, to identify when future eruptions may occur, therefore allowing time to prepare. MEDC’s like the USA or the UK might be reviewing plans to assist through the means of creating rehabilitation programmes, or even allowing the people of Montserrat to apply for permanent residency; this would solve the problem or relocating people to live their lives in a safe location.

Twelve Angry Men and the Jurors of The Kevorkian Trials Essay -- compli

â€Å"I can’t Function as a human being†¦ I want the right to die,† pleaded Sherry Miller, patient of Dr. Jack Kevorkian, the famous â€Å"Death Doctor† (Chermak 107). The entitlement to commit suicide was never a problem, that is until it was challenged by Dr. Jack Kevorkian. Kevorkian was born in Pontiac, Michigan in 1928 (Chermak 101). His infatuation with death started when his mother died from cancer. Kevorkian wanted to find an easier way to help people carry out their death wishes; therefore, his solution was a suicide machine (Chermak 103). In this way, more than 130 were helped by Dr. Kevorkian and his suicide machine (Chua-Eoan). Although Kevorkian was tried five times, he was found innocent four times (Chermak 108-115). His jury had an onerous time coming to their conclusion. Throughout Twelve Angry Men, written by Reginald Rose, Twelve jurors had to decide the fate of one boy convicted of stabbing his father in the chest. In the beginning, eleven of the twelve were positive that the boy was guilty and nothing could change their minds, but Juror Eight disagreed. He showed them the holes in each of the testimonies. After hours of debating, Juror Eight was able to convince most the jury into seeing reasonable doubt in the boys guilt. When the last vote was taken, the tally was eleven to one in favor of innocent. In the end, there are many similarities between the jurors from Twelve Angry Men and the jurors of the Kevorkian trials because they all had a complicated trial, and their rulings were influenced by their personal thoughts and pasts. Throughout Dr. Kevorkian’s career, he challenged the law unlike many. Kevorkian was tried five times, but four out of the five he was found innocent due to the complications with his offences o... ...od, 2007. Print. Chua-Eoan, Howard. â€Å"Jack Kevorkian.† Time 20 June 2011: 16. MAS Ultra - School Edition. Web. 14 Apr. 2014. Cohen, Adam Grace, Julie Tynan, William. "Showdown For Doctor Death." Time 152.23 (1998): 46. MAS Ultra - School Edition. Web. 14 Apr. 2014. Hosenball, Mark. â€Å"The Real Jack KEvorkian.† Newsweek 122.23 (1993): 28. MAS Ultra - School Edition. Web. 14 Apr. 2014. Lessenberry, Jack. "Jury Acquits Kevorkian in Common-Law Case." The New York Times. 14 May 1996. The New York Times. 24 Apr. 2014. Morgenthau, Tom Barrett, Todd. â€Å"Dr. Kevorkian’s Death Wish.† Newsweek 121.0 (1993): 46. MAS Ultra-School Edition. Web. 22 Apr. 2014. Rose, Reginald. Twelve Angry Men. New York: Penguin, 2006. Print. Shapiro, Joseph P.Bowermaster, David. â€Å"Death On Trial. (Cover Story).† U.S. News & World Report 116.16 (1994): 31. MAS Ultra - School Edition. Web. 15 Apr. 2014. 

Living in Sin

The poem tells the story of the lovers that starts just after the fairytale of their lives has ended. Actually, it reveals the continuation of relationship where fairytale usually cuts the story at the kisses and declaration of love followed by â€Å"The End† (a story of a Princess which has to wash dishes on a day after a romantic ball). It is important to point out that the speaker is not actually the woman spoken of in the poem. The narrator here depicts the events in this couple’s daily life. Yet, it is obviously a woman, due to the tone of the poem: how she sees the careless husband and notices household disorder. Being in variance with many modern text analysts, I must say that the poem ‘Living in Sin’ is completely autobiographic. It has been written by Adrienne Rich during the first months of her own marriage and conveys her own disappointment in what is left after the romantic prelude. To understand the poem one must notice that it is wholly built on the contrasts the author uses from sentence to sentence. The most evident contrast resides in the mood of the heroes: the indifferent, careless husband (‘he, with a yawn†¦Ã¢â‚¬â„¢) who seems not to notice the miserable surroundings and only shrugs his shoulders at the mirror admitting the piano out of tune, and the pensive and sad wife who is distressed with the routine circle of everyday cleaning and watching the back of her lover leaving each morning for the trivial cigarettes: â€Å" [he] rubbed at his beard, went out for cigarettes; while she, jeered by the minor demons, pulled back the sheets and made the bed and found a towel to dust the table-top†¦Ã¢â‚¬  . Adrienne Rich has been influenced by the popular image contrast of artist and his woman (generally, a family). Their married life goes in the studio, a huge room without walls or borders, without anything to confirm one’s privacy. Here we obviously see a family of artists where the woman has to play the subordinate role imposed by the society. As means to manipulate women into submitting to housekeeping roles, society promotes a male-dominant view. Most traditional societies expect all women to feign fulfillment in this biological role of a domestic apparatus. Therefore, like the woman in the poem, many women in society accept (although, quite reluctantly) this role of a home caretaker. The images of dusted furniture, dried cheese and empty bottles, overboiled pot etc. produce low, pessimistic tones of the poem – all these trifle seems to be powerful enough to spoil woman’s life and even to kill love: â€Å"By evening she was back in love again, though not so wholly but throughout the night she woke sometimes to feel the daylight coming like a relentless milkman up the stairs†. Here appears another pair of contrasting images: Day and Night that are parallel to Reality and Dream. This woman actually lives double life, enjoying night demonstrations of love and being not able to change the obtrusive tedium of the day which comes like the â€Å"relentless milkman† upon the creaking stair and ruins the fragile dreams of the romantic supper. The piano (summoned by him) seems to be out of tune just like their love. The grime at their window panes is as hard to remove as to bring back the brightness and romantics to the life. Comparatively, each of the household items is dingy. Everything illuminated by the day is out of this light in a paradoxical way – on the contrary, it strives for the night unconsciousness and inempiricalness. So, now it is possible to explain the name of the poem. â€Å"Living in Sin† means to face the day and not to do anything about it, just to see the things go on and to be afraid to make any changes. The woman submits to this role of absolute responsibility without resistance, keeping her resentment and anger to herself. Her constant expenditure of energy with no satisfactory results leads to disappointment. The heroine of the poem is completely unsatisfied but what with she is not quite sure†¦ We, as a reader, can only guess what exactly bothers her: a bunch of disappointing details or the whole picture of their relationship. I think that the last thing does. Everyday dusting, which she has to take around the studio, symolizes the ‘dusting’ of the relationship that is also needed to keep the love alive. Undoubtedly, family life needs refreshment not to be sepulchered by the lay of ‘dust’ and similar days. The woman’s futile efforts result in her â€Å"living in sin†. She sinfully accepts what society dictates and does not try to escape and improve her circumstances. By lettig this miserable life to continue, she denies herself and her individuality. And such self-sacrifice is the biggest sin for an artistic and thoughtful woman.

Aaron Douglas, Harlem Renaissance Painter

Aaron Douglas (1899-1979) was one of the pioneers of the development of African American art. He was a significant member of the Harlem Renaissance movement of the 1920s and 1930s. Later in his life, he promoted the development of arts education in African American communities from his position as the first head of the art department at Fisk University in Nashville, Tennessee. Fast Facts: Aaron Douglas Occupation: Painter, illustrator, educatorStyle: ModernistBorn: May 26, 1899 in Topeka, KansasDied: February 2, 1979 in Nashville, TennesseeEducation: University of NebraskaSpouse: Alta SawyerSelected Works: Cover images for The Crisis (1926), Illustrations for James Weldon Johnsons Gods Trombones: Seven Negro Sermons in Verse (1939), Mural series Aspects of Negro Life (1934)Notable Quote: We can go to African life and get a certain amount of form and color, understanding and using this knowledge in development of an expression that interprets our life. Early Life and Education Born in Topeka, Kansas, Aaron Douglas grew up in a politically active African American community. His father was a baker and highly valued education despite his low income. Douglas mother was an amateur artist, and her interest in drawing inspired her son, Aaron. Following high school graduation, Aaron Douglas wanted to attend college, but he couldnt afford the tuition. He traveled to Detroit, Michigan, with a friend and worked in a Cadillac plant while attending art classes in the evening at the Detroit Museum of Art. Douglas later reported being a victim of racial discrimination at the Cadillac plant. In 1918, Douglas was finally able to enroll at the University of Nebraska. While World War I raged in Europe, he attempted to join the Student Army Training Corps (SATC), but they dismissed him. Historians speculate it was due to racial segregation in the military. He transferred to the University of Minnesota where he rose to the rank of corporal in the SATC before the end of the war in 1919. Returning to Nebraska, Aaron Douglas earned a Bachelor of Fine Arts degree in 1922. Invincible Music: The Spirit of Africa for The Crisis (1926). New York Public Library / Public Domain Aaron Douglas fulfilled a dream of moving to New York City in 1925. There he studied with artist Winold Reiss, who encouraged him to use his African heritage for artistic inspiration. Reiss drew on the legacy of German folk paper-cuts for his work, and that influence is seen in Douglas illustration work. Soon, Aaron Douglas found his reputation as an illustrator rising quickly. He earned commissions for the National Urban Leagues magazine The Crisis and the NAACPs magazine Opportunity. That work also led to work for nationally popular magazines Harpers and Vanity Fair. Harlem Renaissance Modernist Painter By the final years of the 1920s, writers such as Langston Hughes, Countee Cullen, and James Weldon Johnson considered Aaron Douglas part of the movement known as the Harlem Renaissance. Early in the following decade, Douglas began painting mural commissions that brought him national fame. Aspects of Negro Life: The Negro in an African Setting (1934). New York Public Library / Public Domain In 1934, with funding from the Public Works Administration, Aaron Douglas painted his best-known set of murals, Aspects of Negro Life, for the Countee Cullen branch of the New York Public Library. For subject matter, Douglas drew on the history of the African American experience from slavery through the Reconstruction to twentieth-century lynching and segregation. The panel The Negro in an African Setting shows Douglas at the peak of his powers. It depicts life in Africa before slavery as joyous, proud, and firmly rooted in the community. Aaron Douglas became the first president of the Harlem Artists Guild in 1935. The organization promoted young African American artists and lobbied the Works Progress Administration to provide more opportunities for them. Arts Educator In 1938, Aaron Douglas earned a fellowship from the Rosenwald Foundation, a generous provider of stipends to hundreds of African American artists and writers. The funds allowed him to travel to Haiti, the Dominican Republic, and the Virgin Islands and create watercolor paintings of life there. Aspects of Negro Life: Song of the Towers (1934). New York Public Library / Public Domain Upon returning to the U.S., Charles S. Johnson, the first African American president of Fisk University in Nashville, Tennessee, invited Douglas to create the universitys new art department. Aaron Douglas served as head of the art department until his retirement in 1966. President John F. Kennedy invited Aaron Douglas to the White House to participate in ceremonies honoring the 100th anniversary of the Emancipation Proclamation in 1963. Douglas continued to appear as a guest lecturer after retirement until his death in 1979. Legacy Aspects of Negro Life: From Slavery to Reconstruction (1934). New York Public Library / Public Domain Some consider Aaron Douglas to be the father of black American art. His modernist style laid a framework for the development of art in African American communities. The bold, graphical style of his work is echoed in the work of many artists. Contemporary artist Kara Walker exhibits the influence of Douglass use of silhouettes and paper cut-outs. Source Ater, Renee. Aaron Douglas: African-American Modernist. Yale University Press, 2007.